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Archive for June, 2007

Copious Notes Guide Tainted Memories

30 Jun

My life is in constant flux at the moment, and offers little time to turn my passion into words.

My book – loosely titled Deceived – is a thriller with many plot twists. I have to keep them straight – and I have to remember all those little nuggets I think of as I drive to work or cool off in the shower.

But my memory isn’t so great. I’m a child of the electronic evolution. Thoughts just whiz by my brain, in one ear and out the other almost literally. I’m lucky I remember how to drive. (Well, some might tell you I don’t.) And with my job situation in transition, I find I haven’t written a word in nearly a month – a nightmare when you are trying to weave tension and suspicion into a more-than-satisfying thrill ride for readers. It’s difficult to keep up the momentum, at least for me.

So what’s my solution?

A notebook.

Spiral.

Thin lines.

Two dividers with pockets.

Cheap.

Effective.

On my lunch or before bed, I free think, then jot down those ideas. This little reference book has become an invaluable resource as I get back into the swing of the novel. I refer back to my notes and find nuggets of thought I’d completely lost in the life shuffle – cool thoughts and strange twists that will make my book sing. (Please, oh please, let it sing!!!)

I started this notebook at the beginning of the project. I built momentum until a month ago, when I started a new job. That job offered no writing time, so I kept that notebook with me each and every day, and, at lunch, sat down with a sandwich and my brain and let my imagination run wild with possibilities.

I wrote each and every one down. Now, I find it easier to pick back up those pieces I had to drop in favor of work. (Struggling writers know what I mean.)

For each project, start with a fresh notebook. Keep only your notes from one project in there. Have one notebook per project. (Trust me, helps you stay organized.) Even if you are grooving along, stop every once in a while to read through what you’ve jotted down. You might surprise yourself and make some changes based on thoughts and impressions at the beginning of the project.

Angela Wilson – Wicked Wordsmith

 
 

What Makes a Good Hook?

29 Jun

In writing, a good hook (attention grabber) is essential to get that book—whether it be a novel, novella, poem or other genre—noticed by the public, your readers.  These days when applying for a position with many companies, your resume is the first item a CEO or Human Resources person will see.  You have exactly ten seconds on paper to get someone’s attention and sell yourself.  So what’s your grabber?  So, what draws you to the book bin at a supermarket or library?  The color of the cover? the notes on the back? bold print?  What makes you pick up the book and read the outer cover?  Is it enough for you to peek at the foreword or scan the first chapter?

I just wrote a poem and submitted it at www.authorsden.com/georgeethompson and called it Ice Cave.  Since it’s summer time, will readers want to “cool off” a bit by reading the haiku I wrote? or is it something more?  I included a picture that shows icicles inside a snow cave with a person standing there in awe of the view.  The haiku is:

                                 many icicles

    majestic wonder viewing

cold breathing freezes

© 2007 George E Thompson

Sometimes the picture is worthwhile and enticing on a book cover; sometimes the author’s notoriety sets the standard by which readers will purchase their book(s).  I purchase books by John Grisham, Stephen Cannell and others because of their popularity.

            

Grisham is a good case in point.  On the back cover of his novel, The Street Lawyer, a paragraph reads:  “Michael Brock is billing the hours, make the money, rushing relentlessly to the top of Drake & Sweeney, a giant D.C. law firm.  One step away from partnership, Michael has it all.  Then, in an instant, it all comes undone.”  That one paragraph was enough to make me want to read the book.  The first inside page contained nine “rave” reviews for Grisham’s writing talent and that only further fanned the fuel that made it buy the book.  I must add that I was not let down when I started reading the 450-page novel.  And, I was not satisfied until I had finished reading and wanted more.

            

So, the hook or grabber was on the outside of the book and piqued my interest.

            

Magazines use the same method.  Wouldn’t you want to read an article in the AARP, The Magazine, called “Start Your Own Business It’s Not Too Late!”?  I would, since I’m a self-employed writer.  All we want is for someone, somewhere to read our works we’ve worked hard to write; we must use a hook that will get our readers’ attention long enough to get the book past the cash register and into our homes.

Poet George Thompson is a regular contributor to Wicked Wordsmith.

 
 

What’s in a Name?

26 Jun

Names are very important when we write.  Are we using our real name, a pseudonym, alias, a.k.a., nom de plume, nom de guerre, or what?  An author may choose a pen name for any number of reasons.  Perhaps her/his real name is too long, like John Templeton Strong or a publisher may not like it because the name does not have a ring to it.  John Stakowski may be confused with John Tchaikovsky.  Or, an author may write biographies and reports on statistical matters under her/his real name and also writes science fiction or “created world” and does not want to confuse his readers.  For something published in the Journal of American Medical Association (JAMA) to be credible as a scientific breakthrough, that same author would not want to write a science fiction novel under the same name.

I don’t think anyone ever writes a book using a pen name to intentionally dupe readers.  He or she may want to write a tell-the-truth kind of book and spare his characters any embarrassment by using a pen name and hide the identities of his characters by using aliases for them.  There are ghost writers, as-written-by authors, and even taking on the name of the main character in a novel authors.  As long as there has been “the written word,” there have been authors using pen names.  Women using men’s names to get a book published during a time when women did not lower their self esteem by writing.  I’m glad those days are mainly behind us!

If you are writing a novel using a pen name, do you have a “back story” for the author?  Where is she/he from?  children? married? family history of?  I remember hearing actress Stockard Channing say during an interview that her character as the wife of the President of the United States in West Wing (NBC), had no idea who her children were, had not seen them, only implications that they existed, and she created her own back story for a daughter who was going off to college.  To Ms. Channing, having a back story for the one scene she and her never-before-seen daughter was of great significance to her and how she would react on screen with this daughter.

For my novel, I’m using my real name of George E. Thompson, but had thought of writing it in third person as an as-told-to person; I had even created a back story for the writer.  I did lot of research before “creating” my ghost author by searching the Internet for people with the same name, especially authors and made changes each time I found a part of my “created” author’s name on the Web.  Now that I have scrapped the idea of a ghost writer telling my story, I am working on my own back story which must include why I want to tell this story, a story I want my readers to relate to and learn they are not alone in the struggles we to through in a lifetime.

So, give careful thought to using a pseudonym or alias when you write.  Check all your facts and make sure your “author”—if fictitious—has been researched completely so no reader can fault you on not knowing that so-and-so did not have that kind of background, but this happened instead.  Good luck choosing just the right name IF you hide behind an alias.

Poet George Thompson is a regular contributor to Wicked Wordsmith.

 

Intensity: Your Story Needs It

18 Jun

For those who don’t know, I’m a book critic for the site PopSyndicate.com. Lately, I’ve received many lackluster novels labeled "thrillers." But the only thing thrilling about them is putting them down.

Permanently.

Some fall prey to  omniscient POV, which can, without proper handling, distance readers emotionally from characters. (If we can’t get inside their heads, why would we care about them – or the mystery they are trying to solve?) Others tell the reader exactly whodunit, without any deviation. (No red herrings? What kind of thriller is that?!?!) Others still just sit on the page. Couldn’t tell you exactly why the stories weren’t thrilling; they just weren’t.

I blogged about this on the NING.com network for crime writers. It’s frustrating for me both as a reader and as a writer. From a reader’s perspective, I’m disappointed that I spent good money on a book that was worth a mill. From a writer’s standpoint, I want to know why the editors allowed the book through as-is. After all, writers are close to their projects – so close that it’s difficult to sometimes see the bad within the good. They need outside eyeballs on their work to root out the baddies and make a book sing. (Maybe that’s a little naive for publishing, I don’t know. I’m used to newspaper editors who force you to stay until one minute before press time to make that story a headliner. It should not be any different when it comes to books.)

If you write thrillers, here’s what you should do. Watch some Twilight Zones. (Rod Sterling ones, not the "new" series that came out a few years ago. Tales from the Crypt, One Step Beyond, Hitchcock films… shows like these are great examples of suspense. Typically, you don’t get the zinger – whodunit for thriller writers – until the last 30 seconds of the show. Hitchcock has an amazing knack for creating tension and intensity by doling out a miniscule bit of information at a time. Music and camera angles add to this. As you write, pick some music to get into the scene. Picture it in your mind like a movie, then write it, detail by detail.

Some of the scariest shows (at least for me) never showed a thing. No blood. No guts. No gore. Freddy Krueger had nothing on these guys. The movies – like the somewhat recent Blair Witch Project – are an attack on the psyche. What better way to get readers of your thrillers to start biting their nails in suspense? Assault their brains with just enough information to freak them out. Then, switch direction and punch them in the gut with something new.

Dean Koontz has a great podcast on this topic. (His Web site totally rocks.) His book, Intensity, is a prominent feature in James Scott Bell’s book, Write Great Fiction: Plot and Structure. Bell, who writes suspenseful novels, has a fabulous page for writers.

And be bold. When you choose a POV for your novel, don’t hesitate to play around a little bit. See what POV works for your novel. You might be surprised. And find someone you can trust to review your manuscript with honest eyes.

Angela Wilson – Wicked Wordsmith

 

Animal Crackers… er, crackups

16 Jun

If you wanna spice up your writing with a bit of humor, look no further than our furry friends and, um, the  scaly ones… and don’t forget feathered.  Plus those with shells, fins, and … other things.

Uh.

Anyway, the point is that you should consider putting animals in your writing. No, I don’t mean rubbing a cockatiel over your keyboard or writing a pet wildebeest into your story.  I mean mentioning animals out of context to evoke a humorous response.

For example, in my upcoming book (The Next Adventures of Guy … more wackiness) the husband of the book’s warrior queen is in her third trimester of pregnancy.  Because she already has three sets of hyperactive twins, she’s understandingly a little sensitive about her situation. 

So there’s a point in the story where the husband innocently sits next to her, puts his arm around her, and the action goes like this, “She turned to him and said sweetly, ‘Honey, I told you.  If you ever touch me again, I will rip your arms out of their sockets and stake you outside for the raccoons to munch on.’”

Raccoons munching.  This works better than simply threatening to give him a noogie, right?  But there’s no real raccoon in the story, nor does the reader expect to meet one later.

And which of the following statements is funnier?  “His head quickly disappeared.”   Or, “His head disappeared with the alacrity of a meerkat bolting in its hole.”

The second one, right?  And it’s because meerkats are cool and evoke a funny image.

One of the characters in The Next Adventures of Guy is a sorcerer, and I decided it would be fun to have a toad simply appear as a byproduct whenever he performed any kind of spells.  For no other reason than I just thought it would be amusing.

But as the story unfolded, it occurred to me that the toads could become an essential part of the story, … and, well, I don’t want to give anything away.  But when I first put them in the story, it originally wasn’t for anything other than comedic effect.

The best humor writers dip into this well all of the time.  For instance, Dave Barry once wrote of a crab that used to live outside of his house in Florida and how he (the crab) thought that he (Dave) was ‘interested’ in the crab’s mate, so they had a gunslinger-like showdown on the sidewalk.   I couldn’t help but grin just picturing this.

The other fun things about animals are that their motives are different than ours.  They are interested in food, sex and relaxation.  Um… okay, maybe they aren’t so different.

But they have other traits that come to mind, like the loyalty of a dog, the wisdom of an owl, the cleverness of a monkey, the memory of an elephant, the independence of a cat.  For every trait, you can just about come up with an animal that personifies, or more precisely, animalifies the qualities of that trait.

But I challenge you to make it funny, because when you step outside of these overused, worn out descriptions, you can come up with descriptions that breathe new life into them.

For example, we’re all sick of the overused expression, “…like a bull in a china shop.”    So give it a little twist, “Like an aardvark in a termite colony.”  The fresh approach brings a fun image to the reader’s mind and they don’t gloss over any of your words.  And can’t you just picture little termites scrambling for cover, dodging a whip-like tongue?   

But a bull in a china shop would create a lot more noise, so maybe this doesn’t create the picture you’re trying to evoke.  So tweak it a bit and say something like this instead, “like a drunken bat in a chandelier.” 

Now that’s good stuff, and you didn’t put a tired old phrase into your prose.

It’s also fun to compare humans to animals.  For example, which one of these sentences is better? “Her mother is a nasty piece of work.”  Or “I think her mother’s a wolverine in disguise.”   Comparing someone to an animal is always amusing.  And you can give her an entirely different look if you describe her as, say, a ‘distracted platypus,’ ‘disgruntled weasel’ or a ‘constipated tubeworm.’

I think that’s why I lovingly refer to my two daughters as my ‘critters.’  Being teenagers, they are hormonally programmed to rebel, disobey, disrespect and all of the other antisocial stuff that they’ll grow out of only when they have their own critters and learn that Mom and Dad weren’t such idiots after all.

But how different is their behavior from that of our pet kitten? When we’re looking, she obeys every single rule.  But as soon as we’re snoring, she’s up on the counters, getting into cabinets, harassing the bird and doing all the things that she knows she shouldn’t do.

It just goes to show that it’s easy to demonstrate the similarities between humans and animals.  Plus it’s fun, it’s funny, and not always untrue.

So, if you want a laugh, think seriously -  or funnily -  about putting critters in your shorts, er, I mean story!

Norm Cowie is the author of The Adventures of Guy … written by a guy (probably). His next Guy novel – The Next Adventures of Guy … more wackiness – comes out later this year. Check out his site at www.normcowie.com, or shoot him an email at n.cowie@comcast.net.

 
 

ACFW Conference Sked for September

14 Jun

Get those pens and notebooks ready, Christian authors. The American Christian Fiction Writers will hold its annual conference Sept. 20-23 in Dallas, Texas.

Want the details? Check out www.acfw.com.

 
 

Wicked Wordsmith Question #2

12 Jun

If your bad guy went to the eye doctor, what would his site be? Is he a 20/20 hot guy?

Or a legally blind, overweight bomb maker from a small town?

Memorable villans come from more than just a name. What charactaristics make your characters evil? Vulnerable? Loving? Psychotic?

Angela Wilson – Wicked Wordsmith

 

NING Me

12 Jun

A writer I met in Chicago at the February Love Is Murder conference put me onto a great social networking site. Ning.com offers up networks that aren’t nearly as clogged as MySpace. I’ve found groups for bloggers, artists, and writers of crime, humor, historical romance and more. You can also promote your work. (Be sure to read the agreements for each group to see what is acceptable promotion.)

I’ve met some great people – and touched base with others I’ve met at conferences. Check out Ning.com. If you cannot find a group for you, then start one. It’s easy.

Here are my address, just to get you started. I’m on Crimespace the most.

http://crimespace.ning.com/profile/awilson400

http://humorwriters.ning.com/profile/awilson400

http://blogwritersartists.ning.com/profile/awilson400

http://management.ning.com/profile/awilson400

If you decide to sign on, shoot me an invite. I’d love to hear from you.

Angela Wilson – Wicked Wordsmith

 
 

Profanity: Pro & Con

08 Jun

Many emotions come to mind when I think—let alone write—about this topic.  I may seem to have a slanted version and am seeing through rose colored glasses, but I will do my very best not to display my emotions about the topic; this is a slant you can either accept totally or reject 100 percent.

First, I’m a Preacher’s Kid (PK).  The fact that my Dad passed on in 1973 makes no difference.  He’s no longer “of this world,” but has moved on to better things where there is no pain.  However, that does not—nor ever will—change the fact I’m still a PK.  I was raised a Southern Baptist, sang in the church choir, played piano for morning and evening services—even for the summer’s Bible School classes.

Second, I have found three stages to my life:  1) the early years (age 0-22) with no profanity and lots of Bible studies along with church attendance and college; 2) the middle years (age 22-58) when I was in the US Air Force, learned how to cuss as much as the other enlistees, got married to a Baptist lady, divorced and started drinking, obtained my Master’s Degree in Guidance Counseling in 24 months, and 3) the latter years (age 58-present) when I’ve turned my back on alcohol, returned to Christianity but more in the form of spirituality instead of religious structure, dropped the profanity, can now find positives even in the most negative aspects going on around me or in me, write prolifically and submit my poems, novels and a regular column on the Internet for publication.  The awards for my works are nice to have, but I do not worship them either as icons or idols.

What’s wrong with a curse word here or there in a poem, novel (fiction or non-fiction) and a column written regularly?  Well, what is “right” with it?  I’ve always heard my Mom repeat someone else’s profanities and count that person—or them—guilty by the Lord; she won’t be punished for repeating the words to someone.  After all, those words are NOT hers, no sirree!  They belong to the person who said all those “foul” words.  Does that mean I can “pretend” I’m repeating someone else’s words when I write something?  Will St. Peter let me through the golden gates?  Hmmm…..

I get some of my ideas for my works by reading other peoples’ writings; they just happen to use profanity, slang and street talk.  Can I use the “n” word and get away with it?  I’m a white Caucasian.  That give me the right to use the word?  Others do…am I mimicking them?  Do they care?  For that matter, do I?

Potty talk is just that:   talk that usually takes place within the parameters of some bathroom, whether at a person’s home or in the bathroom at a bar/restaurant.  Nowadays, it flows into the outside areas around the bathroom and becomes as easy to say as the word, “love.”  When I watch a movie in theater or on TV, I hear the words and often wonder if the actors are really “into” cursing or getting paid so well they will repeat verbatim the words from the writer(s) or playwrights.

Therefore, my next novel will contain profanity because all those words were a part of my life at the time.  And,  I carry no guilt for using them to express my “self” to my readers.

George Thompson is a poet and offers critiques of manuscripts. He is a regular contributor to Wicked Wordsmith.

 

Wicked Wordsmith Question #1

08 Jun

Periodically, Wicked Wordsmith will ask you questions to spark creativity and add new elements to your plot or characters. Here’s our first question:

What does your protagonist/antagonist smell like?

Is the good guy a recovering alcholic who pops a peppermint every time he gets a craving? Or is an uber rich con who baths in cologne?

Use your sense of smell to create unforgettable charactaristics.

Angela Wilson – Wicked Wordsmith